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Seite 12
In the first , a large black and white photograph with a dismembered hand in the middle is displayed against a black sheet . It has been cut diagonally , and then pieced back together . The black sheet shows through the crack separating ...
In the first , a large black and white photograph with a dismembered hand in the middle is displayed against a black sheet . It has been cut diagonally , and then pieced back together . The black sheet shows through the crack separating ...
Seite 13
This illusion is fostered not only by the hand's seeming movement , but also by its warm flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image .
This illusion is fostered not only by the hand's seeming movement , but also by its warm flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image .
Seite 35
... making it obvious that they , too , are but flat , photographic replicas . Anna now reaches over to her own figure , gently picking it up by the hand . The final shot of the sequence depicts the two hands clasped together in close ...
... making it obvious that they , too , are but flat , photographic replicas . Anna now reaches over to her own figure , gently picking it up by the hand . The final shot of the sequence depicts the two hands clasped together in close ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2000 |
| Zitat exportieren | BiBTeX EndNote RefMan |