Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 10
... gaze . This discourse was powerfully articulated in the 1970's in film theory , with which it remains identified . According to it , film is structured by a male gaze that objectifies and dominates the female . The related notion of ...
... gaze . This discourse was powerfully articulated in the 1970's in film theory , with which it remains identified . According to it , film is structured by a male gaze that objectifies and dominates the female . The related notion of ...
Seite 64
... gaze , nor on the transformation of existence into commodified image or picture . As Petro points out , instead , Heidegger argues for a " repossession of self in contemplation ... that will alone restore mastery under the conditions of ...
... gaze , nor on the transformation of existence into commodified image or picture . As Petro points out , instead , Heidegger argues for a " repossession of self in contemplation ... that will alone restore mastery under the conditions of ...
Seite 81
... gaze , but does not presume to grant its inhabitant the power to control or legislate the gaze of the other . It in fact puts the female gaze under erasure , enacting its own impossible struggle to claim the full subjective power that ...
... gaze , but does not presume to grant its inhabitant the power to control or legislate the gaze of the other . It in fact puts the female gaze under erasure , enacting its own impossible struggle to claim the full subjective power that ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York