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Seite 96
... in the manner of a holographic vision in which each fragment contains the whole . Niney : Do you see a link between your cinema and modern physics , in which determinism is no longer absolute but relative and probabilistic ?
... in the manner of a holographic vision in which each fragment contains the whole . Niney : Do you see a link between your cinema and modern physics , in which determinism is no longer absolute but relative and probabilistic ?
Seite 51
score , the body images we see are neither recognizable fragments in the usual fetishized mode nor do they amount to the form of the body as a totality with a separate identity . These images may perhaps be described as a continuous ...
score , the body images we see are neither recognizable fragments in the usual fetishized mode nor do they amount to the form of the body as a totality with a separate identity . These images may perhaps be described as a continuous ...
Seite 57
Export treats Judith's one major erotic encounter with Alfons as a series of disconnected fragments , utterly disarticulated from both linear chronology and spatial coherence . I will return later to comment on one of the longest and ...
Export treats Judith's one major erotic encounter with Alfons as a series of disconnected fragments , utterly disarticulated from both linear chronology and spatial coherence . I will return later to comment on one of the longest and ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22 Discourse: Berkeley journal for theoretical studies in media and culture, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 2000 |
| Zitat exportieren | BiBTeX EndNote RefMan |