Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
Im Buch
Ergebnisse 1-3 von 14
Seite 12
... flesh - colored hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same ...
... flesh - colored hand seemingly reaches into the image , and places itself over the black and white hand . But the illusion that this event happens in film time is quickly dispelled . The flesh - colored hand is transected by the same ...
Seite 13
... flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image . This is another moment in the film in which we are asked to think " real " and ...
... flesh colors . Only when we see that the diagonal crack also divides this hand into two parts do we realize that it , too , is part of an image . This is another moment in the film in which we are asked to think " real " and ...
Seite 17
... flesh - colored body is literally absent from this image , it is powerfully present in our minds as the site where this violence would be felt . The next two images create much the same effect , although once again no flesh - colored ...
... flesh - colored body is literally absent from this image , it is powerfully present in our minds as the site where this violence would be felt . The next two images create much the same effect , although once again no flesh - colored ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York