Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 108
... film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in their obvious interpretation : monsters come from ...
... film about a gigantic , prehistoric , destructive monster . Such films were numerous in the fifties in the USA and Japan . These films point to the reason behind their great numbers in their obvious interpretation : monsters come from ...
Seite 109
... film as his own , once and for all and to exclude any other.11 The myth found in the traditional fairytale , in this context , is changed . The monster , the animal , is not saved or changed through the woman's love ; nor is it saved by ...
... film as his own , once and for all and to exclude any other.11 The myth found in the traditional fairytale , in this context , is changed . The monster , the animal , is not saved or changed through the woman's love ; nor is it saved by ...
Seite 115
... film , a film expedition , which is drawn to search for something distant , something strange , an attraction that promises big business . In the film , within the film , a part of the business , is the blonde woman , the erotic ...
... film , a film expedition , which is drawn to search for something distant , something strange , an attraction that promises big business . In the film , within the film , a part of the business , is the blonde woman , the erotic ...
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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