Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 101
... films . Spectators always come up to tell me that my 10 - minute films seem to them to take 20 minutes ! They make it clear that this is not because of boredom ! Cazals and Daniélou : Parallel to your creative activity , you also teach ...
... films . Spectators always come up to tell me that my 10 - minute films seem to them to take 20 minutes ! They make it clear that this is not because of boredom ! Cazals and Daniélou : Parallel to your creative activity , you also teach ...
Seite 106
... films like Fly or Alien ( Ridley Scott 1979 ) and Aliens ( James Cameron , 1986 ) , the horrified / fascinated gaze is compelled to pay attention ; we are not allowed to look away . As Philip Brophy writes , " John Carpenter's ...
... films like Fly or Alien ( Ridley Scott 1979 ) and Aliens ( James Cameron , 1986 ) , the horrified / fascinated gaze is compelled to pay attention ; we are not allowed to look away . As Philip Brophy writes , " John Carpenter's ...
Seite 50
... film's narrative level , Export's unapologetic portrayal of personal and political relations refuses to accommodate a break from the order of violence and death that pervades it . However , it is through the film's own mechanism of ...
... film's narrative level , Export's unapologetic portrayal of personal and political relations refuses to accommodate a break from the order of violence and death that pervades it . However , it is through the film's own mechanism of ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York