Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 16
... femininity has been often theorized in terms of proximity . The female subject is assumed to be incapable of accepting the gap which separates her from the mirror , to be forever " tipping over " into it , psychically speaking.11 She ...
... femininity has been often theorized in terms of proximity . The female subject is assumed to be incapable of accepting the gap which separates her from the mirror , to be forever " tipping over " into it , psychically speaking.11 She ...
Seite 73
... femininity from the his- tory of Western art are juxtaposed with contemporary depictions of household drudgery and " happy " female consumption . Likewise , a rapid montage sequence in Invisible Adversaries parallels sanctioned female ...
... femininity from the his- tory of Western art are juxtaposed with contemporary depictions of household drudgery and " happy " female consumption . Likewise , a rapid montage sequence in Invisible Adversaries parallels sanctioned female ...
Seite 79
... femininity , the patriarchal image world , of which most cinema is a part , could be understood to enforce a reg- ulative function with respect to female bodies . If Export can assume an aggressive stance toward the patrons of the Touch ...
... femininity , the patriarchal image world , of which most cinema is a part , could be understood to enforce a reg- ulative function with respect to female bodies . If Export can assume an aggressive stance toward the patrons of the Touch ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York