Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 60
... femininity or whether it ties such a representational choice , in a more authorial guise , to Export's own concept of the feminine as a mode of subjectivity that instantiates the imperma- nence and dispersal of being . In any event ...
... femininity or whether it ties such a representational choice , in a more authorial guise , to Export's own concept of the feminine as a mode of subjectivity that instantiates the imperma- nence and dispersal of being . In any event ...
Seite 72
... feminine , i.e. , she must accept that woman doesn't have to be a mother , doesn't have to be passive , doesn't have to be body , a feminine self for some other self . ( “ The Real " 22 ) This point can be clarified by considering one ...
... feminine , i.e. , she must accept that woman doesn't have to be a mother , doesn't have to be passive , doesn't have to be body , a feminine self for some other self . ( “ The Real " 22 ) This point can be clarified by considering one ...
Seite 73
... feminine beauty " and female docility are frequently cited and critiqued in Export's films , photo collages and ... femininity from the his- tory of Western art are juxtaposed with contemporary depictions of household drudgery and ...
... feminine beauty " and female docility are frequently cited and critiqued in Export's films , photo collages and ... femininity from the his- tory of Western art are juxtaposed with contemporary depictions of household drudgery and ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York