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Seite 89
Taking as my examples transnational links between Cuba's Nicolás Guillén and the North American Langston Hughes , the task of this essay is to re - examine the black experience in the Americas as reflected in black expression.1 ...
Taking as my examples transnational links between Cuba's Nicolás Guillén and the North American Langston Hughes , the task of this essay is to re - examine the black experience in the Americas as reflected in black expression.1 ...
Seite 91
Gilroy's thesis about an unhomely , nomadic Black tradition recalling the trauma of violent displacement directs our atten- tion to an unknown presence , a transnational x - factor in Black expression in the Americas .
Gilroy's thesis about an unhomely , nomadic Black tradition recalling the trauma of violent displacement directs our atten- tion to an unknown presence , a transnational x - factor in Black expression in the Americas .
Seite 108
... poesía " [ Cuba , Blacks , Poetry ] ) made identical claims about a fundamental differ- ence that black vernacular expression makes : both point out that for blacks in the Americas , the use of black vernacular rhythms and speech is ...
... poesía " [ Cuba , Blacks , Poetry ] ) made identical claims about a fundamental differ- ence that black vernacular expression makes : both point out that for blacks in the Americas , the use of black vernacular rhythms and speech is ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York