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Seite 28
For it suggests that the experience being re- peated in the veteran's sleep is first and foremost an experience of seeing , and furthermore implies that the dreams themselves are in charge of the situation - as though their assignment ...
For it suggests that the experience being re- peated in the veteran's sleep is first and foremost an experience of seeing , and furthermore implies that the dreams themselves are in charge of the situation - as though their assignment ...
Seite 36
Freud's essay " The ' Uncanny ' " provides a useful starting point.5 The language of this essay situates agency on the side of the fantasmatic , vestigial residues of experience , this time in the shape of discarded beliefs or modes of ...
Freud's essay " The ' Uncanny ' " provides a useful starting point.5 The language of this essay situates agency on the side of the fantasmatic , vestigial residues of experience , this time in the shape of discarded beliefs or modes of ...
Seite 10
What do you do with Marx if you come from the perspective of the history and experiences of Indigenous popu- lations in the ... although it was and is not the same as the experience of the European workers in the European factories .
What do you do with Marx if you come from the perspective of the history and experiences of Indigenous popu- lations in the ... although it was and is not the same as the experience of the European workers in the European factories .
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York