Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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... emphasizes that it is sustained only through aggressiveness toward self and other , and constantly gives way to a dystopic ap- prehension of bodily fragmentation.9 Identity - at - a - distance , on the other hand , as I argue in The ...
... emphasizes that it is sustained only through aggressiveness toward self and other , and constantly gives way to a dystopic ap- prehension of bodily fragmentation.9 Identity - at - a - distance , on the other hand , as I argue in The ...
Seite 81
... emphasizes the impossibility of keeping the body safe and discrete . Touch Cinema reverses the cinematic gaze , but does not presume to grant its inhabitant the power to control or legislate the gaze of the other . It in fact puts the ...
... emphasizes the impossibility of keeping the body safe and discrete . Touch Cinema reverses the cinematic gaze , but does not presume to grant its inhabitant the power to control or legislate the gaze of the other . It in fact puts the ...
Seite 48
... emphasizes differences of cultural heritage and their incommensu- rability . As Etienne Balibar has noted : It is a racism whose dominant theme is not biological heredity but the insurmountability of cultural differences , a racism ...
... emphasizes differences of cultural heritage and their incommensu- rability . As Etienne Balibar has noted : It is a racism whose dominant theme is not biological heredity but the insurmountability of cultural differences , a racism ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York