Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 13
... desire just as does betrayal : we want the representations on which our fetishes are based to be of the real thing . Even when an argument ostensibly concerns unrepresentability , it still retains associations of ( sexual ) desire . Desire ...
... desire just as does betrayal : we want the representations on which our fetishes are based to be of the real thing . Even when an argument ostensibly concerns unrepresentability , it still retains associations of ( sexual ) desire . Desire ...
Seite 23
... Desire to Desire , and " Film and the Masquerade . ” Outside film studies , this model has been most fully developed by Lemoine- Luccioni . Works Cited Doane , Mary Ann . The Desire to Desire : The Woman's Film of the 1940s . Bloom ...
... Desire to Desire , and " Film and the Masquerade . ” Outside film studies , this model has been most fully developed by Lemoine- Luccioni . Works Cited Doane , Mary Ann . The Desire to Desire : The Woman's Film of the 1940s . Bloom ...
Seite 87
... desire at precise moments of subjective instability , Export analyzes the trajectory of her desire in fluctuation . This counter- surveillance - monitoring both the space that surrounds the sub- ject as well as her own movements across ...
... desire at precise moments of subjective instability , Export analyzes the trajectory of her desire in fluctuation . This counter- surveillance - monitoring both the space that surrounds the sub- ject as well as her own movements across ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York