Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 25
... described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 ...
... described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 ...
Seite 53
... described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a picture surface retains an undeniable ma- teriality . . . [ a ] unique and deviant particularity ...
... described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a picture surface retains an undeniable ma- teriality . . . [ a ] unique and deviant particularity ...
Seite 37
... described under the rubric of neocolonialism than postcolonialism , regardless of the amount of " postcolonial " political rhetoric spilled to disguise historical conti- nuity as a providential mission to universal freedom and democracy ...
... described under the rubric of neocolonialism than postcolonialism , regardless of the amount of " postcolonial " political rhetoric spilled to disguise historical conti- nuity as a providential mission to universal freedom and democracy ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York