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Seite 25
The tracking shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) ...
The tracking shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) ...
Seite 53
tactile over the purely visual components of the image is often asso- ciated with the painterly gaze , aptly described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a ...
tactile over the purely visual components of the image is often asso- ciated with the painterly gaze , aptly described in art critic Richard Shiff's analysis of Cézanne's highly opaque paintings : " The figure of opacity suggests that a ...
Seite 79
Roswitha Mueller described the film / performance in the following way : In the majority of commercial films the forbidden revolves around the body of woman , more specifically her breasts and genitals . In Touch Cinema the voyeurism is ...
Roswitha Mueller described the film / performance in the following way : In the majority of commercial films the forbidden revolves around the body of woman , more specifically her breasts and genitals . In Touch Cinema the voyeurism is ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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