Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 19
... constituted by what Hispan- ics / Latinos / as do or do not do , but also by the frame under which they are interpreted by the State or acted upon by the transnational corporations ( like Alcoa ) . " Culture " and " identity " are ...
... constituted by what Hispan- ics / Latinos / as do or do not do , but also by the frame under which they are interpreted by the State or acted upon by the transnational corporations ( like Alcoa ) . " Culture " and " identity " are ...
Seite 82
... constituted history , while Raimundo's is based on a present - time - oriented mutability within the terms of that relationship . Moreover , in Saramago's work that emphasis on mutability is not limited to the area of plot . A very ...
... constituted history , while Raimundo's is based on a present - time - oriented mutability within the terms of that relationship . Moreover , in Saramago's work that emphasis on mutability is not limited to the area of plot . A very ...
Seite 89
... constituted the black Atlantic as a non - traditional tradition , an irreducibly mod- ern , ex - centric , unstable , and asymmetrical cultural ensemble that cannot be apprehended through the manichean logic of binary coding ” ( 198 ) ...
... constituted the black Atlantic as a non - traditional tradition , an irreducibly mod- ern , ex - centric , unstable , and asymmetrical cultural ensemble that cannot be apprehended through the manichean logic of binary coding ” ( 198 ) ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York