Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 121
... communication in the continuity of death . This subconscious fear explains why Carlos Fuentes cannot transgress the crystal border , this glass that stands between the Mexican man cleaning the windows on the outside of a Chicago ...
... communication in the continuity of death . This subconscious fear explains why Carlos Fuentes cannot transgress the crystal border , this glass that stands between the Mexican man cleaning the windows on the outside of a Chicago ...
Seite 135
... Communication and Film at U.C. Berkeley and San Fran- cisco State University . He is the author of two forthcoming books : Fables of Desire : Carl Barks and the Anti - Modernist Disney Comic and The End of Innocence : Prime - Time ...
... Communication and Film at U.C. Berkeley and San Fran- cisco State University . He is the author of two forthcoming books : Fables of Desire : Carl Barks and the Anti - Modernist Disney Comic and The End of Innocence : Prime - Time ...
Seite 8
... communication and the coloniality of power move faster and , like in the sixteenth century , in one direc- tion . The force with which Inca's and Aymara's " cultures " entered and modified Castilian's was less significant than the ...
... communication and the coloniality of power move faster and , like in the sixteenth century , in one direc- tion . The force with which Inca's and Aymara's " cultures " entered and modified Castilian's was less significant than the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York