Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 77
... clear de- marcation of subject and object . Export's statements cited above indicate that women , unlike Schreber , are already on the side of embodiment , objecthood , penetrated materiality . As such , paranoia could be a feminist ...
... clear de- marcation of subject and object . Export's statements cited above indicate that women , unlike Schreber , are already on the side of embodiment , objecthood , penetrated materiality . As such , paranoia could be a feminist ...
Seite 51
... clear enough : the immigrant sponges off the host nation and contributes nothing in return . In this economy of loss and gain , the immigrant seemly always gains and the nation apparently always loses . The parasitical structure that ...
... clear enough : the immigrant sponges off the host nation and contributes nothing in return . In this economy of loss and gain , the immigrant seemly always gains and the nation apparently always loses . The parasitical structure that ...
Seite 75
... clear : he goes to Africa , to the future Mozambique , to accomplish something on his own - precisely to leave " a - history " and enter " history . " It is a rehearsal of the late - nineteenth- and early - twentieth - century Por ...
... clear : he goes to Africa , to the future Mozambique , to accomplish something on his own - precisely to leave " a - history " and enter " history . " It is a rehearsal of the late - nineteenth- and early - twentieth - century Por ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York