Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 93
... cinema against time . Fixed time and the time of fixing are different notions . Postscript . They say that the twenty - first century will be the end of cinema . This is a mistake . It will be the end of a certain cine- matographic ...
... cinema against time . Fixed time and the time of fixing are different notions . Postscript . They say that the twenty - first century will be the end of cinema . This is a mistake . It will be the end of a certain cine- matographic ...
Seite 96
... cinema and modern physics , in which determinism is no longer absolute but relative and probabilistic ? Pelechian : Montage at a distance offers probabilities without end . We know that scientists like Einstein were strongly influenced ...
... cinema and modern physics , in which determinism is no longer absolute but relative and probabilistic ? Pelechian : Montage at a distance offers probabilities without end . We know that scientists like Einstein were strongly influenced ...
Seite 79
... cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a ...
... cinema " work Tapp und Tastkino ( Touch Cinema ) 6 substituted a darkened theatre for the artist's own shirt . Export , in a wooden box , wandered city streets , providing passersby with the opportunity to feel her breasts through a ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York