Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 26
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Seite 27
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
Seite 87
... camera apparatus . Certainly , most claims of ' I am a camera ' rest primarily on the visual rather than the sex organs " ( Charmey and Schwartz 37 ) . But one might press further upon this female identification with the camera . The ...
... camera apparatus . Certainly , most claims of ' I am a camera ' rest primarily on the visual rather than the sex organs " ( Charmey and Schwartz 37 ) . But one might press further upon this female identification with the camera . The ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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