Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
Im Buch
Ergebnisse 1-3 von 42
Seite 26
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Berkeley Journal for Theoretical Studies in Media and Culture. the camera begins wide and hones into increasingly narrow spaces , finally to invade Marion's private chambers . In Invisible Adversaries , by contrast , the camera starts in ...
Seite 27
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
... camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film theory has critiqued , where control seems to reside with the look and captation is attributed to the ...
Seite 87
... camera apparatus . Certainly , most claims of ' I am a camera ' rest primarily on the visual rather than the sex organs " ( Charmey and Schwartz 37 ) . But one might press further upon this female identification with the camera . The ...
... camera apparatus . Certainly , most claims of ' I am a camera ' rest primarily on the visual rather than the sex organs " ( Charmey and Schwartz 37 ) . But one might press further upon this female identification with the camera . The ...
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
10 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York