Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 36
... called the " disappearing act " of the death drive meet with only partial success . However there are many places where Freud and Export in tandem can help us to conceptualize other sorts of relations to the visible world than those ...
... called the " disappearing act " of the death drive meet with only partial success . However there are many places where Freud and Export in tandem can help us to conceptualize other sorts of relations to the visible world than those ...
Seite 98
... called " Cuban color . " ) Songoro cosongo thus undermines important political implica- tions of the synthetic fiction of a “ Cuban blues ” created by Hughes ' translations of Guillén's poetry in Cuba Libre . Guillén's son and his Afro ...
... called " Cuban color . " ) Songoro cosongo thus undermines important political implica- tions of the synthetic fiction of a “ Cuban blues ” created by Hughes ' translations of Guillén's poetry in Cuba Libre . Guillén's son and his Afro ...
Seite 109
... called exultantly eight formidable negro poems ' entitled Motivos de Son ( Son Motifs ) . For the first time , as Hughes had urged him to do , Guillén had used the son dance rhythms to capture the moods and features of the black Havana ...
... called exultantly eight formidable negro poems ' entitled Motivos de Son ( Son Motifs ) . For the first time , as Hughes had urged him to do , Guillén had used the son dance rhythms to capture the moods and features of the black Havana ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York