Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 17
... blindness . In milder forms , this rhetoric made its way into most of the standard surveys of art history in the nineteenth century . There , it fed into a wider project : predominantly Christian scholarship of art needed a concept of ...
... blindness . In milder forms , this rhetoric made its way into most of the standard surveys of art history in the nineteenth century . There , it fed into a wider project : predominantly Christian scholarship of art needed a concept of ...
Seite 75
... blindness about color constitutes an ideological confusion at best , and denial at its worst . . . . While I want to underscore that I embrace color - blindness as a legitimate hope for the future , I worry that we tend to enshrine the ...
... blindness about color constitutes an ideological confusion at best , and denial at its worst . . . . While I want to underscore that I embrace color - blindness as a legitimate hope for the future , I worry that we tend to enshrine the ...
Seite 79
... blindness in light of the large screen's emphasis on a visual world . In this man- ner , the film explores the split between real and imaginary worlds , without blindly adhering to this duality . It moreover exposes the ideological ...
... blindness in light of the large screen's emphasis on a visual world . In this man- ner , the film explores the split between real and imaginary worlds , without blindly adhering to this duality . It moreover exposes the ideological ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York