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Seite 9
Through two speakers on either side of the monitor , the filmmaker's voice is heard reading a text that begins with a recitation , first in Hebrew and then in translation , of the Second Commandment . About five minutes into the ...
Through two speakers on either side of the monitor , the filmmaker's voice is heard reading a text that begins with a recitation , first in Hebrew and then in translation , of the Second Commandment . About five minutes into the ...
Seite 25
... then , was the complete game- disappearance and return ) -Sigmund Freud1 Valie Export's Invisible Adversaries ( Unsichtbare Gegner ) opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named ...
... then , was the complete game- disappearance and return ) -Sigmund Freud1 Valie Export's Invisible Adversaries ( Unsichtbare Gegner ) opens with a lengthy tracking shot that begins in an apartment building bedroom where a woman named ...
Seite 38
Suddenly , the mirror image begins to move independently , and starts to put on red lipstick , seemingly without Anna's consent . It is significant that the image is endowed not only with an agency of its own , but with desires as well ...
Suddenly , the mirror image begins to move independently , and starts to put on red lipstick , seemingly without Anna's consent . It is significant that the image is endowed not only with an agency of its own , but with desires as well ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York