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Seite 27
Freud frequently associates repetition with an attempt to gain mastery over a trau- matic impression ... In his first example of the repetition compulsion , the anxiety dreams of the war veteran , Freud attempts to account Spring 2000 ...
Freud frequently associates repetition with an attempt to gain mastery over a trau- matic impression ... In his first example of the repetition compulsion , the anxiety dreams of the war veteran , Freud attempts to account Spring 2000 ...
Seite 28
dreams of the war veteran , Freud attempts to account for the fact that such dreams regularly return the patient to situations of great suffering and unpleasure . Freud notes that this observation might seem at first to contradict his ...
dreams of the war veteran , Freud attempts to account for the fact that such dreams regularly return the patient to situations of great suffering and unpleasure . Freud notes that this observation might seem at first to contradict his ...
Seite 79
Touch Cinema's structure is confrontational precisely be- cause it courts threat in order to attempt to master and reverse it . ... Touch Cinema seems to deliver what the cinema attempts to convince men that they are entitled to .
Touch Cinema's structure is confrontational precisely be- cause it courts threat in order to attempt to master and reverse it . ... Touch Cinema seems to deliver what the cinema attempts to convince men that they are entitled to .
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York