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Seite 100
Cazals and Daniélou : You have often worked on the basis of archives ( on the history of the Armenian people ... In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the ...
Cazals and Daniélou : You have often worked on the basis of archives ( on the history of the Armenian people ... In my theory of montage in counterpoint , the archive has allowed me to treat one of the givens of life , which only the ...
Seite 126
... San Francisco ; Pacific Film Archive , Berkeley ; UCLA Film and TV Archive ; YYZ Artists ' Outlet , Toronto ; Théâtre de Beyrouth ; Palais des Beaux - Arts , Brussels ; Centre international de poésie , Marseille .
... San Francisco ; Pacific Film Archive , Berkeley ; UCLA Film and TV Archive ; YYZ Artists ' Outlet , Toronto ; Théâtre de Beyrouth ; Palais des Beaux - Arts , Brussels ; Centre international de poésie , Marseille .
Seite 108
The white outsider - poet uses black forms as exotic means of distortion of conventional perception . In contrast , the black poet uses black forms because they evoke a black reality and existence from the archive of collective memory .
The white outsider - poet uses black forms as exotic means of distortion of conventional perception . In contrast , the black poet uses black forms because they evoke a black reality and existence from the archive of collective memory .
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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