Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 27
... agency in relation to the visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations ...
... agency in relation to the visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations ...
Seite 39
... agency : one which is referred to in this and other essays as the " critical agency " of the ego ,. Fig . 2. Valie Export . Invisible Adversaries . 1976. Archive : Valie Export . Fig . 3. Valie Export . Invisible Adversaries . 1976 ...
... agency : one which is referred to in this and other essays as the " critical agency " of the ego ,. Fig . 2. Valie Export . Invisible Adversaries . 1976. Archive : Valie Export . Fig . 3. Valie Export . Invisible Adversaries . 1976 ...
Seite 40
... agency of this kind exists , which is able to treat the rest of the ego like an object - the fact , that is , that man is capable of self - observation — renders it possible to invest the old idea of a “ double ” with a new meaning and ...
... agency of this kind exists , which is able to treat the rest of the ego like an object - the fact , that is , that man is capable of self - observation — renders it possible to invest the old idea of a “ double ” with a new meaning and ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York