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Seite 83
The film thus tugs at what might be the unconscious fear of beneficiaries of affirmative action — that the benefactor will turn ugly and resentful — as well as fears of the dominant culture , which may be haunted by the anxiety that the ...
The film thus tugs at what might be the unconscious fear of beneficiaries of affirmative action — that the benefactor will turn ugly and resentful — as well as fears of the dominant culture , which may be haunted by the anxiety that the ...
Seite 128
... Schinichiro Osaki's “ Body and Place : Action in Postwar Art in Japan ; " Hubert Klocker's “ Gesture and the ... de Janeiro — Santiago de Chile , 1960–1980 ; " and Kristine Stiles ' “ Uncorrupted Joy : International Art Actions .
... Schinichiro Osaki's “ Body and Place : Action in Postwar Art in Japan ; " Hubert Klocker's “ Gesture and the ... de Janeiro — Santiago de Chile , 1960–1980 ; " and Kristine Stiles ' “ Uncorrupted Joy : International Art Actions .
Seite 130
of artists as diverse as they were influential : Nam June Paik , Yoko Ono , and John Lennon , Akasegawa , Wolf Vostell , Joseph Beuys , the Viennese Action Group , Vito Acconci's performances , Chris Burden , Gina Pane , Marina ...
of artists as diverse as they were influential : Nam June Paik , Yoko Ono , and John Lennon , Akasegawa , Wolf Vostell , Joseph Beuys , the Viennese Action Group , Vito Acconci's performances , Chris Burden , Gina Pane , Marina ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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