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Seite 47
At the same time , the three major discursive concerns that I will identify in my reading of The Practice of Love ... While Export's consistent attention to the body establishes an unmistakable affinity between her media practices and ...
At the same time , the three major discursive concerns that I will identify in my reading of The Practice of Love ... While Export's consistent attention to the body establishes an unmistakable affinity between her media practices and ...
Seite 48
... The Practice of Love simultaneously voices a political critique addressed not only to the rationalizing ... also to the fetishizing patriarchal systems of representation whose most practiced target is invariably the female body .
... The Practice of Love simultaneously voices a political critique addressed not only to the rationalizing ... also to the fetishizing patriarchal systems of representation whose most practiced target is invariably the female body .
Seite 64
In The Practice of Love , the distance required for the exercise of a contemplative gaze is achieved through the film's presentation of Judith as both insider / participant and outsider / critic ...
In The Practice of Love , the distance required for the exercise of a contemplative gaze is achieved through the film's presentation of Judith as both insider / participant and outsider / critic ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look Love means memory Michigan movement narrative notes object original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship representation represents scene Second seems seen sense sequence sexual shot side social space Spanish speak story Studies suggests suture theory thing thought tion touch translation turn understand United University visual voice woman writes York