Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 20
... power . To deprive the animal of its fight . Words tear at the shores of my mouth . The desire of my mouth bursts at the cliff of its opening . Recommendations as condemnations . I can't progress , nor do I regress , I only step aside ...
... power . To deprive the animal of its fight . Words tear at the shores of my mouth . The desire of my mouth bursts at the cliff of its opening . Recommendations as condemnations . I can't progress , nor do I regress , I only step aside ...
Seite 64
... power or presence , Being and Time does disclose the possibility of an exercise of power and presence which is neither based on a curious , restless , and distracted gaze , nor on the transformation of existence into commodified image ...
... power or presence , Being and Time does disclose the possibility of an exercise of power and presence which is neither based on a curious , restless , and distracted gaze , nor on the transformation of existence into commodified image ...
Seite 76
... power of the real , the power of the masculine culture " ( " The Real " 24 ) . And , as argued by Export above , women are structurally barred from participation in such truth claims , because such truth claims are philosophically ...
... power of the real , the power of the masculine culture " ( " The Real " 24 ) . And , as argued by Export above , women are structurally barred from participation in such truth claims , because such truth claims are philosophically ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York