Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 92
... , Winter 2000 , pp . 92–93 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . images disappear . This elimination does not mean that they 92 "Time Against Me, My Cinema Against Time" Artavazd Pelechian 2006 ...
... , Winter 2000 , pp . 92–93 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . images disappear . This elimination does not mean that they 92 "Time Against Me, My Cinema Against Time" Artavazd Pelechian 2006 ...
Seite 25
... a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the camera begins wide and hones into increasingly narrow spaces 25.
... a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright © 2000 Wayne State University Press , Detroit , Michigan 48201-1309 . the camera begins wide and hones into increasingly narrow spaces 25.
Seite 34
... Copyright © 2001 Wayne State University Press , Detroit , Michigan 48201-1309 . independence long before other colonial places , and its literature America's Troubled Postcoloniality: Some Reflections from Abroad Gesa Mackenthun 34.
... Copyright © 2001 Wayne State University Press , Detroit , Michigan 48201-1309 . independence long before other colonial places , and its literature America's Troubled Postcoloniality: Some Reflections from Abroad Gesa Mackenthun 34.
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York