Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 49
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
Seite 60
... Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and perspective . While Alfons stands by the window waiting for Judith , the image again switches back to a two - color scheme , which by ...
... Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and perspective . While Alfons stands by the window waiting for Judith , the image again switches back to a two - color scheme , which by ...
Seite 62
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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