Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 26
... Invisible Adversaries , by contrast , the camera starts in the enclosed space of the bedroom and moves outwards to reveal the surrounding city . The outwardly tracking and circular panning motion imply that the type of invasion taking ...
... Invisible Adversaries , by contrast , the camera starts in the enclosed space of the bedroom and moves outwards to reveal the surrounding city . The outwardly tracking and circular panning motion imply that the type of invasion taking ...
Seite 34
... Invisible Adversaries provides additional illustration of this concept , and forms a pair with the one described ... Invisible Adversaries . 1976. Archive : Valie Export . Fig . 2. Valie Export . Invisible Adversaries . 1976. 34 ...
... Invisible Adversaries provides additional illustration of this concept , and forms a pair with the one described ... Invisible Adversaries . 1976. Archive : Valie Export . Fig . 2. Valie Export . Invisible Adversaries . 1976. 34 ...
Seite 43
... Invisible Adversaries seems to imply that. Fig . 3. Valie Export . Invisible Adversaries . 1976. Archive : Valie Export . Fig . 1. Valie Export . The Practice of Love. Spring 2000 43.
... Invisible Adversaries seems to imply that. Fig . 3. Valie Export . Invisible Adversaries . 1976. Archive : Valie Export . Fig . 1. Valie Export . The Practice of Love. Spring 2000 43.
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York