Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 61
... imaginary fantasy , requiring that citizenship itself always be predicated on traumatic conditions . The fact that Louganis was never easily assimilated into narratives of national pride and belonging indicates that the non - white ...
... imaginary fantasy , requiring that citizenship itself always be predicated on traumatic conditions . The fact that Louganis was never easily assimilated into narratives of national pride and belonging indicates that the non - white ...
Seite 79
... imaginary worlds , without blindly adhering to this duality . It moreover exposes the ideological threat of filmic seduction , which can pull audiences so far into its imaginary world that any critical awareness is suppressed . Viewers ...
... imaginary worlds , without blindly adhering to this duality . It moreover exposes the ideological threat of filmic seduction , which can pull audiences so far into its imaginary world that any critical awareness is suppressed . Viewers ...
Seite 68
... imaginary . The fetishistic foundations of Metz's theory of the cinematic apparatus are predicated upon the seemingly self - evident notion of the im- age as substitution for the “ real ” subjects and objects substantively present at ...
... imaginary . The fetishistic foundations of Metz's theory of the cinematic apparatus are predicated upon the seemingly self - evident notion of the im- age as substitution for the “ real ” subjects and objects substantively present at ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York