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Seite 92
The encounter between Hughes and Guillén and their life - long friendship thus seems as inevitable as it is natural . Here , I need only outline their relationship in broad strokes , as it has already been written about extensively ...
The encounter between Hughes and Guillén and their life - long friendship thus seems as inevitable as it is natural . Here , I need only outline their relationship in broad strokes , as it has already been written about extensively ...
Seite 106
In " Flotsam , " Hughes resumes the voice of black exile , returning to the scene of the Black Atlantic where nomadic blacks are countryless outcasts , adrift and lost in a void : On the shoals of Nowhere , Cast up - my boat , Bow all ...
In " Flotsam , " Hughes resumes the voice of black exile , returning to the scene of the Black Atlantic where nomadic blacks are countryless outcasts , adrift and lost in a void : On the shoals of Nowhere , Cast up - my boat , Bow all ...
Seite 107
Guillén and Hughes are headed in opposite directions : Hughes ' speaker is on the downswing of the pendulum of the black jour- ney in the Americas - headed towards the deterritorialization of established roots and thus returning to ...
Guillén and Hughes are headed in opposite directions : Hughes ' speaker is on the downswing of the pendulum of the black jour- ney in the Americas - headed towards the deterritorialization of established roots and thus returning to ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York