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Seite 92
The encounter between Hughes and Guillén and their life - long friendship thus seems as inevitable as it is natural . Here , I need only outline their relationship in broad strokes , as it has already been written about extensively ...
The encounter between Hughes and Guillén and their life - long friendship thus seems as inevitable as it is natural . Here , I need only outline their relationship in broad strokes , as it has already been written about extensively ...
Seite 97
It signifies the Cuban Guillén's rejection of the “ road to Harlem , " and what Harlem represents to Guillén - the U.S. model of race segregation that created Harlem , both its achievements in the black arts and its social misery ...
It signifies the Cuban Guillén's rejection of the “ road to Harlem , " and what Harlem represents to Guillén - the U.S. model of race segregation that created Harlem , both its achievements in the black arts and its social misery ...
Seite 109
2 Readers interested in Guillén's role and the context of Cuban liter- ature and the Afro - Antillean movement may refer to the special issue on Guillén edited by Kutzinski in Callaloo no . 31 , vol .
2 Readers interested in Guillén's role and the context of Cuban liter- ature and the Afro - Antillean movement may refer to the special issue on Guillén edited by Kutzinski in Callaloo no . 31 , vol .
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York