Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 74
... Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The audience is teased , however , with the possibility that Clay might recognize the ...
... Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The audience is teased , however , with the possibility that Clay might recognize the ...
Seite 77
... Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural roots . Clay ...
... Clay's personal history , but I am suggesting that the elision of Clay's blackness , within the film , extends that commentary as well to a reflection on the necessity and / or desirability of rediscovering one's cultural roots . Clay ...
Seite 83
... Clay shoots in kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of race , where Clay kills the benefactor , who alternates gifts with brutality . The film thus tugs at what ...
... Clay shoots in kind three shotgun blasts that kill Vincent and destroy his face . These parallels set up an Oedipal reading of race , where Clay kills the benefactor , who alternates gifts with brutality . The film thus tugs at what ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York