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Seite 17
While Jews , like Christians , have had iconoclastic thinkers , some of whom have been able to enforce their thoughts ... but with Christian anti - Semites who took up the idea that the Second Commandment forbade Jews to make art .
While Jews , like Christians , have had iconoclastic thinkers , some of whom have been able to enforce their thoughts ... but with Christian anti - Semites who took up the idea that the Second Commandment forbade Jews to make art .
Seite 18
They could admit to their neighbors that Jews do not make art , but they could add that if Christians were really ... To establish the resem- blance between Jewish and Christian artistic practice , Kaufmann 1 accumulated examples of ...
They could admit to their neighbors that Jews do not make art , but they could add that if Christians were really ... To establish the resem- blance between Jewish and Christian artistic practice , Kaufmann 1 accumulated examples of ...
Seite 19
10 He also brought to light contact between Jewish and Christian art , show- ing where each participated in the other , blurring the boundaries between them ( Kaufmann , " Sens " 252-53 ) . Through the mid - twentieth century ...
10 He also brought to light contact between Jewish and Christian art , show- ing where each participated in the other , blurring the boundaries between them ( Kaufmann , " Sens " 252-53 ) . Through the mid - twentieth century ...
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Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York