Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 9
... blue titles against black . The subject of that text is the human body , which - it suggests - can ei- ther be understood as the point of intersection between the private and the public , or as itself capable of assuming. Spring 2000 9.
... blue titles against black . The subject of that text is the human body , which - it suggests - can ei- ther be understood as the point of intersection between the private and the public , or as itself capable of assuming. Spring 2000 9.
Seite 57
... blue silky undergarments lying on the floor next to her side of the bed . Unlike many such cinematic love scenes , where the cliché of the female clothing discarded on the floor provides the threshold into the fetishistic eroticism that ...
... blue silky undergarments lying on the floor next to her side of the bed . Unlike many such cinematic love scenes , where the cliché of the female clothing discarded on the floor provides the threshold into the fetishistic eroticism that ...
Seite 129
... blue- print - like imprints of human silhouettes ( Female Figure , 1950 ) or the tracks of the Model A Ford imprinted on strips of paper , driven by John Cage ( Automobile Tire Print , 1953 ) . The resulting imprint was the " visual ...
... blue- print - like imprints of human silhouettes ( Female Figure , 1950 ) or the tracks of the Model A Ford imprinted on strips of paper , driven by John Cage ( Automobile Tire Print , 1953 ) . The resulting imprint was the " visual ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York