Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 31
... Anna attempts to eliminate the unruly objects from her images , the more adamantly they appear in them . The more she struggles to capture the objects which refuse to hold still for the camera , the more quickly they vanish . The film ...
... Anna attempts to eliminate the unruly objects from her images , the more adamantly they appear in them . The more she struggles to capture the objects which refuse to hold still for the camera , the more quickly they vanish . The film ...
Seite 32
... Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to her boyfriend on the telephone , relaying her concerns about the Hyksos : " They slip into people's bodies ...
... Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to her boyfriend on the telephone , relaying her concerns about the Hyksos : " They slip into people's bodies ...
Seite 42
... Anna goes home and begins to trace her shadow's outline against a white wall , sticking tacks around its perimeter . An amplified cracking sound accompanies the placement of each tack , emphasizing the damage that is being done as the ...
... Anna goes home and begins to trace her shadow's outline against a white wall , sticking tacks around its perimeter . An amplified cracking sound accompanies the placement of each tack , emphasizing the damage that is being done as the ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York