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Seite 80
W S W S Good # # night , sweet # # prince FIGURE 4 . ( b ) The # level has the structure of Figure 4b . In both Shakespeare and Milton , # -level iambs ( stressed syllables preceded by proclitic words ) normally occupy iambic feet ...
W S W S Good # # night , sweet # # prince FIGURE 4 . ( b ) The # level has the structure of Figure 4b . In both Shakespeare and Milton , # -level iambs ( stressed syllables preceded by proclitic words ) normally occupy iambic feet ...
Seite 83
According to Ib , # -level iambs like my heart normally begin in odd positions ; see Figure 6b . 8 a . b . W W Ś W & she # stores # him 3 W S € my #heart # hath # committed 6 7 FIGURE 6 . Frequently , the # -level inversion is not only ...
According to Ib , # -level iambs like my heart normally begin in odd positions ; see Figure 6b . 8 a . b . W W Ś W & she # stores # him 3 W S € my #heart # hath # committed 6 7 FIGURE 6 . Frequently , the # -level inversion is not only ...
Seite 145
If to is an aux in s ( PRO to talk about e ) , the Head Rule will make it a sister of talk in P - structure , as in Figure 24 . S W W to S W talk about FIGURE 24 . The Switch Rule ( 23 ) will put s only on about , because to talk is ...
If to is an aux in s ( PRO to talk about e ) , the Head Rule will make it a sister of talk in P - structure , as in Figure 24 . S W W to S W talk about FIGURE 24 . The Switch Rule ( 23 ) will put s only on about , because to talk is ...
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Inhalt
Sound change in perception and production Tore Janson | 18 |
Transderivational relationships in Chamorro phonology Sandra Chung | 35 |
Generative tests for generative meter Gilbert Youmans | 67 |
Urheberrecht | |
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