StanislavskiRoutledge, 1988 - 340 Seiten |
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Seite 92
... once been strong , guilt - ridden where he had once been ruthless . That was what the audience disliked . But Stanislavski the director had also over- loaded the play , attempting to endow it with meanings it could not bear . He had ...
... once been strong , guilt - ridden where he had once been ruthless . That was what the audience disliked . But Stanislavski the director had also over- loaded the play , attempting to endow it with meanings it could not bear . He had ...
Seite 148
... once and for all . Think rather what it cost me to surrender my primacy of place as an actor to Kachalov and others . . . I have become ... more demanding because of all that I have crushed in myself . I now have the right to demand ...
... once and for all . Think rather what it cost me to surrender my primacy of place as an actor to Kachalov and others . . . I have become ... more demanding because of all that I have crushed in myself . I now have the right to demand ...
Seite 216
... once again over sixteen years of partnership . He complains that he is being shut out , that his contribution to the fame of the Art Theatre and to Stanislavski's own personal triumphs as an actor is being ignored . The cause is once ...
... once again over sixteen years of partnership . He complains that he is being shut out , that his contribution to the fame of the Art Theatre and to Stanislavski's own personal triumphs as an actor is being ignored . The cause is once ...
Inhalt
Alekseiev | 3 |
Stanislavski | 13 |
The Broad Path to True Nature | 26 |
Urheberrecht | |
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Act Four Act Three actor Alekseiev appeared April Armoured Train artistic asked Astrov audience began Bulgakov cast character Chekhov Cherry Orchard costume created creative critics December director drama Efros Elizaveta emotion everything experience February Fedotov feeling final Fiodor Gorki Hamlet Hapgood ideas insisted January K.S. Archive Kachalov Knipper Konstantin later lavski Leonidov letter Lilina Liubimovka living Lopakhin Lunacharski Mali March Meierhold method Michael Chekhov Miserly Knight Molière Moscow Art Theatre Moskvin needed Nemirovich night notes notion November October once opera Ostrovski Othello performance Petersburg physical actions problem production plan Proletkult Pushkin rehearsal repertoire role Russian scene script Seagull season September ski's Society stage Stanis Stanislav Stanislavski Studio success Sulerzhitski System talent theatre's theatrical tion took tour truth Tsar Fiodor Uncle Vania Uriel Acosta Vakhtangov Village of Stepanchikovo Vladimir wanted whole Woe From Wit writing wrote young