Contemporary American Independent Film: From the Margins to the Mainstream

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Psychology Press, 2005 - 299 Seiten

From Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices.

They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films.

Turning to the work of key auteurs such as John Sayles and Haile Gerima, contributors ask whether independent filmmakers can also be stars, and consider how indie features like Boys Don't Cry and Shopping for Fangs address issues of gender, sexuality and ethnicity normally avoided by Hollywood.

For all students of film studies and American studies, this cultural journey through independent film history will be an absolute must read.

 

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Inhalt

from the margins to the mainstream
1
PART I Critical formations
21
PART II Cult filmcool film
69
PART III Iconoclasts and auteurs
123
PART IV Identity hooks cultural binds
175
PART V Shifting markets changing media
227
Index
283
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Über den Autor (2005)

Chris Holmlund is Professor of Cinema Studies, Women's Studies and French at the University of Tennessee. She is the author of (Routledge, 2003) and co-editor of (Minnesota University Press, 1997). She is working on a book on action films.
Justin Wyatt is Executive Director, Research at the ABC Television Network. He holds a Ph.D. in Critical Studies from UCLA, and is the author of (University of Texas Press, 1994) and (Flicks Books, 1998).

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