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according admired animals appearance arbutus Aristotle ascer banks beau Blenheim breadth broken Brown buildings Burke called cause character charms circumstances Claude clumps colour colours of spring Correggio deformity degree delight distinct effect equally Essay expression firs foliage freshness gardening Gilpin give Gothic architecture grandeur ground idea of beauty imitation impression improver intricacy kind landscape less light and shadow lines look manner means ment mind monotony nature neral ness objects observed opposite ornament painter Palladian architecture peculiar perhaps Picturesque Beauty Pindar plantations planted pleasure prevail principles produced qualities of beauty racter Rembrandt repose Repton resque rich riety river rough Salvator Rosa scenery scenes seems sense shade shew shewn Sir Joshua Reynolds smooth soft spect striking style sublime sudden supposed symmetry taste thing tints tion Titian trees ture turesque ugliness varied variety Venetian Virgil whole wood word
Seite 97 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Seite 132 - Making it momentary as a sound, Swift as a shadow, short as any dream, Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth, And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Seite 100 - Appear like mice; and yon' tall anchoring bark, Diminish'd to her cock; her cock, a buoy Almost too small for sight: The murmuring surge, That on the unnumber'd idle pebbles chafes, Cannot be heard so high: — I'll look no more; Lest my brain turn, and the deficient sight Topple down headlong.
Seite 190 - The other shape, If shape it might be call'd that shape had none Distinguishable in member, joint, or limb ; Or substance might be call'd that shadow seem'd, For each seem'd either: black it stood as night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what seem'd his head The likeness of a kingly crown had on.
Seite 64 - Archangel ; but his face Deep scars of thunder had intrenched, and care Sat on his faded cheek ; but under brows Of dauntless courage, and considerate pride Waiting revenge. Cruel his eye, but cast Signs of remorse and passion...
Seite 87 - THE passion caused by the great and sublime in nature, when those causes operate most powerfully, is astonishment : and astonishment is that state of the soul in which all its motions are suspended, with some degree of horror.
Seite 116 - Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War...
Seite 51 - A temple or palace of Grecian architecture in its perfect entire state, and with its surface and colour smooth and even, either in painting or reality is beautiful; in ruin it is picturesque.
Seite 63 - In our own species, objects merely picturesque are to be found among the wandering tribes of gypsies and beggars, who, in all the qualities which give them that character, bear a close analogy to the wild forester and the worn out cart horse, and again to old mills, hovels, and other inanimate objects of the same kind.
Seite 163 - ... else has retired into obscurity ; it still forces itself into notice, still impudently stares you in the face. An object of a sober tint, unexpectedly gilded by the sun, is like a serious countenance suddenly lighted up by a smile ; a whitened object like the eternal grin of a fool.