The Poetry of Ted Hughes: Language, Illusion and BeyondLongman, 1998 - 129 Seiten This text provides an introduction to the poetry of Ted Hughes, whose work is concerned with the forces of nature and their interaction with man. It also places Hughes' poems in a theoretical context of significant developments in literary theory that occured during his lifetime, quoting in particular commentary of the French theorists Jacques Lacan, Julia Kristeva and Roland Barthes. |
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Inhalt
Hughes and Shamanism | 6 |
Language Narcissism and Emptiness | 21 |
The Influence of Sylvia Plath | 27 |
Urheberrecht | |
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The Poetry of Ted Hughes: Language, Illusion & Beyond Dr. Paul Bentley Eingeschränkte Leseprobe - 2014 |
The Poetry of Ted Hughes: Language, Illusion & Beyond Dr. Paul Bentley Eingeschränkte Leseprobe - 2014 |
Häufige Begriffe und Wortgruppen
adventure-time alchemical anima archetypal Bakhtin Barthes Baskin's Black Sun bodily Cave Birds child Concepts consciousness constitutes Crow Crow's cultural depressed dialect Dialogic discourse double's Écrits effect emptiness experience Faas feminine function Goddess Hawk hero Hughes writes Hughes's language Hughes's poem Hughes's poetry human Ibid imagery imagination improvisation instinctual Jacques Lacan Jacques Lacan Book Jacques-Alain Miller Jaguar Julia Kristeva Jung Jung's Jungian kind Kristeva Reader Kristeva writes Lacan writes Lacanian Lady Lazarus Laureate Poems linguistic Lumb Lumb's double main narrative meaning metaphor Mikhail Bakhtin mirror stage myth narcissistic nature Neil Roberts object Orghast photographs Plath's poem's speaker poet poetic psychic Psychoanalysis Real rhythm Roland Barthes Roudiez Seamus Heaney seems self-conscious semiotic semiotic chora sense sequence shaman signifier social style suggests Sylvia Plath Symbolic order Ted Hughes Ted Hughes Fabers thing tion trans Trickster unconscious University Press voice William Scammell Winter Pollen Wodwo Wolfwatching words