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In the stage handbooks , entire sequences of passions accompanied scenes from popular plays as marginal notes a kind of score in parts with well - stocked glossaries to advise the performers on matching gesture and countenance ...
In the stage handbooks , entire sequences of passions accompanied scenes from popular plays as marginal notes a kind of score in parts with well - stocked glossaries to advise the performers on matching gesture and countenance ...
Seite 74
Henrik Ibsen , notes on Hedda Gabler ( 1890 ) 27 In Ibsen's preparatory notes for Hedda Gabler ( 1890 ) , more copious than for any other play , three ideas recur : one , Lövborg's “ double nature " ; two , the “ burlesque note ” of ...
Henrik Ibsen , notes on Hedda Gabler ( 1890 ) 27 In Ibsen's preparatory notes for Hedda Gabler ( 1890 ) , more copious than for any other play , three ideas recur : one , Lövborg's “ double nature " ; two , the “ burlesque note ” of ...
Seite 106
Notes 1 The confusion of mourning as affect with mourning as a psychic process is not at all unusual and may derive in part from Freud's own mixing of the two in the very first sentence of “ Mourning and Melancholia " : “ We will try to ...
Notes 1 The confusion of mourning as affect with mourning as a psychic process is not at all unusual and may derive in part from Freud's own mixing of the two in the very first sentence of “ Mourning and Melancholia " : “ We will try to ...
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Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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