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Seite 108
Although Lacan observes in passing that Hamlet's desire is dependent upon the desire of his mother , Lacan does not pause to question just what in fact her desire is . Lacan takes her for granted , as is indicated by the fact that ...
Although Lacan observes in passing that Hamlet's desire is dependent upon the desire of his mother , Lacan does not pause to question just what in fact her desire is . Lacan takes her for granted , as is indicated by the fact that ...
Seite 97
This regressive loop fueled by desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and ...
This regressive loop fueled by desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and ...
Seite 121
She writes that “ negative aesthetics can act as a motor force in the early phases of a movement , initiating and expressing the desire for change . ” Thus she endorses in her own films an “ aesthetic ' scorched earth policy ' ” ( 164 ) ...
She writes that “ negative aesthetics can act as a motor force in the early phases of a movement , initiating and expressing the desire for change . ” Thus she endorses in her own films an “ aesthetic ' scorched earth policy ' ” ( 164 ) ...
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Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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