Patrons and Painters: A Study in the Relations Between Italian Art and Society in the Age of the BaroqueYale University Press, 01.01.1980 - 474 Seiten Fusing the social and economic history with the cultural and artistic achievements of seventeenth and eighteenth century Italy, this book presents a unique and invaluable perspective on the period. |
Inhalt
Cardinal Bentivoglio Pitti Florence | 2-4 |
Meeting of Esau and Jacob Pinacoteca | 56 |
The intervention of Europe | 169 |
The provincial scene | 203 |
State Nobility and Church | 245 |
Foreign influences | 276 |
The foreign residents | 299 |
The Enlightenment | 317 |
Francesco Algarotti | 347 |
Is A new direction | 361 |
Dealers and petits bourgeois | 373 |
The last patrons | 379 |
Appendices | 386 |
Postscript to Second Edition | 396 |
Bibliography | 401 |
439 | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acquired admired already Andrea Antonio artists attractive Barberini became began Bernini Bologna bought building Cardinal Carlo Cassiano Cassiano dal Pozzo century certainly Chapter church close collection commissioned complete contemporary dated death decoration died drawings Duke earlier early eighteenth employed especially Europe exhibition fact figures followed foreign four Francesco French frescoes friends gallery give given important interest Italian Italy Jesuits landscapes later leading letters lived looked nature once original painted painters palace Paris patron patronage Pietro placed plans Plate Pope portrait possible Poussin Prince published recorded referred remained represented Ricci rich Roman Rome scenes seems showed Smith society soon status style success suggest taken taste Tiepolo took turned Urban Venetian Venice VIII whole wrote young
Verweise auf dieses Buch
Holy Concord within Sacred Walls: Nuns and Music in Siena, 1575-1700 Colleen Reardon Eingeschränkte Leseprobe - 2001 |