Caricature from Leonardo to Picasso

abstract aesthetic Alfred Kubin ambiguity Annibale Carracci Arcimboldo artistic Baroque Baudelaire becomes Brueghel Callot caricature caricature's caricaturists Carraccis Champfleury characteristic children's drawings comedy comic contemporary critical Cruikshank deformities distorted drew E. T. A. Hoffmann eighteenth century elements Engraving Etching everyday exaggeration example expression Expressionism fantastic art French Gavarni gave GEORGE CRUIKSHANK Gillray Gothic Grandville graphic grimaces Grosz grotesque heads history of caricature Hogarth HONORÉ DAUMIER human illustrated imagination important interpretation invention JAMES GILLRAY Klee later Leonardo Lithograph look means medieval modern Monnier Munich narrative pictures nineteenth century Oberländer objects painter painting Paris PAUL KLEE Pen and ink physiognomy Picasso pictorial satire play popular portrait realism reality Renaissance represent reproduced ridiculous Roi bourgeois Rowlandson Saul Steinberg scenes seventeenth century shorthand sketch spectator sphere stage studies style sublime symbolic figures theme things Toulouse-Lautrec transformation Vienna visual WILLIAM HOGARTH Woodcut world of forms