Unmarked: The Politics of PerformanceRoutledge, 02.09.2003 - 224 Seiten Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations. |
Inhalt
Mapplethorpe Schor | 34 |
Yvonne Rainers The Man Who Envied Women | 71 |
Jennie Livingstons Paris Is Burning | 93 |
Tom Stoppards Hapgood | 112 |
discovering the body | 130 |
representation without | 146 |
notes on hope | 167 |
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Häufige Begriffe und Wortgruppen
abortion abortion debates argues artists attempt balls believe binary body Brian Ridley camera castration Cindy Sherman continually culture desire disappearance discussion dissipative structures double economy Envied Women erotic failure female feminine feminist fetish fetus Figure filmic frame Freud fundamental gaze gender Hapgood heterosexual identity ideology imitate impossible invisible Jack Jack's Kerner Lacan Livingston's look looker male marks metaphor Mira Schor mother narrative negative nonreproductive notion object one's ontology Operation Rescue painting Paris Is Burning paternity penis phallus Photo photograph physics Piper political possibility power-knowledge pregnant woman promise psychic psychoanalysis quantum racial Rainer Rainer's film Randall Terry relation relationship representation reproduction Ridley Robert Mapplethorpe secret seduction seen sexual difference skin space spatial speaking spectator spycatching Stoppard's suggests Symbolic tation theatre theatrical theory transformation Trisha unmarked Untitled Venus Xtravaganza visible visual wants Willi Ninja words writing Yvonne Rainer