Unmarked: The Politics of Performance
Routledge, 02.09.2003 - 224 Seiten
Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film, theatre and anti-abortion demonstrations.
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Yvonne Rainers The Man Who Envied Women
Jennie Livingstons Paris Is Burning
Tom Stoppards Hapgood
discovering the body
notes on hope
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abortion abortion debates argues artists attempt balls believe binary body Brian Ridley camera castration Cindy Sherman continually culture desire disappearance discussion displacement dissipative structures double economy Envied Women erotic failure female feminine feminist Festa fetish fetus Figure filmic frame Freud fundamental gaze gender Hapgood heterosexual identity ideology imitate impossible invisible Jack Jack's Kerner Lacan Livingston's look looker male marks metaphor Mira Schor mother narrative negative nonreproductive notion object one's ontology Operation Rescue painting Paris Is Burning paternity penis phallus photograph physics Piper political possibility power-knowledge pregnant woman promise psychic psychoanalysis quantum racial Rainer Rainer's film Randall Terry relation relationship representation reproduction Ridley Robert Mapplethorpe secret seduction seen sexual difference Sherman space spatial speaking spectator spycatching Stoppard's suggests Symbolic tation theatre theatrical theory transformation Trisha unmarked Venus Xtravaganza visible visual wants Willi Ninja words writing Yvonne Rainer