Sor Juana, Or, The Traps of Faith

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Harvard University Press, 1988 - 547 Seiten

Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana In s de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.

Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's prot g e. For five years she enjoys the pleasures of life at court--then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.

Octavio Paz has long been intrigued by the enigmas of Sor Juana's personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.

Just as Paz illuminates Sor Juana's life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.

 

Inhalt

The Dais and the Pulpit
24
Syncretism and Empire
34
A Transplanted Literature
44
Part Two JUANA RAMÍREZ 16481668
61
The Ramírez Family
63
May Syllables Be Composed by the Stars
72
The Trials of Juana Inés
86
Taking the Vows
100
Hear Me with Your Eyes
277
Ink on Wings of Paper
292
Music Box
309
The Stage and the Court
326
The Float and the Sacrament
338
First Dream
357
Part Six THE TRAPS OF FAITH
387
An IllFated Letter
389

Life in the Convent
117
Political Rites
139
The World as Hieroglyph
155
Sister Juana and the Goddess Isis
169
Flattery and Favors
183
Council of Stars
196
Religious Fires
214
The Reflection the Echo
231
Realm of Signs
248
Different from Herself
261
Part Five THE TENTH MUSE
275
The Response
411
And the Responses
425
The Siege
438
The Abjuration
450
Epilogue Toward a Restitution
471
Witness for the Prosecution
491
Notes on Sources
503
Spanish Literary Terms
512
Notes
515
Index
539
Urheberrecht

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Autoren-Profil (1988)

Octavio Paz was the author of more than forty volumes of poetry and prose.

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